Morag Johnston

This project aims to uncover the contribution of women to Scottish fiddle music, particularly during the so called ‘Golden Age’ of fiddle music, c.1770 – 1820. The title above originates from directions on how to play the tune Jennie Jo on the fiddle in The Kilravock Fiddle Manuscript by the author Elizabeth Rose of Kilravock. Although there are at least twenty-four known manuscripts written or published by women during this time, little research has examined, compared or analysed them. My project will combine historical and practice-based research by examining the manuscripts themselves and using archival research to explore the social, educational and professional backgrounds of individuals, as well as their place within Scottish fiddling culture. I will research the reasons why their role has not been disseminated as much as male fiddle players. I will share the research with the public through recordings, music editions, a school’s pack and connections to local organisations including SC&T Youth. I am working jointly between musicology and the Elphinstone Institute (ethnology, folklore and ethnomusicology). Follow along at: https://www.moragjohnston.net/research-blog.