Sasha de Buyl

Each month, we offer the spotlight to one of our researchers to exhibit their research projects in more detail. 

 

The Featured Researcher for September 2025 is Sasha de Buyl (they/them). Sasha is a second year doctoral candidate working towards a DfA funded by SGSAH and AHRC DTP in Creative Writing. The title of their thesis is:  

 

Re/Writing the Trace: Unearthing trans futures in trans pasts.

 

HEI: The University of Glasgow

Supervisors:

A trans non-binary person with short brown hair is wearing glasses. They stand, smiling at the camera.

Below, Sasha gives a synopsis of their doctorate and reflects on their research, their experiences as a doctoral researcher, and the lessons they have learned during this time.

My project asks: what can looking backwards, to lives and experiences of gender-non confirming individuals from different periods across time, do to support the envisioning of possible, liveable futures for trans people to come? This is especially important in a political moment which has seen a concerning rise in anti-trans sentiment and a significant walking back of rights and protections for transgender individuals.

 

The project also considers how popular culture and contemporary publishing trends have led to the calcification of tropes in communicating transgender experience, and how seeking alternatives in the alterity of the past might help us imagine new potential for trans fiction and trans narrative storytelling.

 

I’m especially interested in what fiction can do in these spaces and the implications of using narrative, imagination and fabrication to fill gaps in a historical record that flattens subjectivity and erases agency.

 

As a practice-led project, my PhD combines creative and critical approaches to produce a novel that will hopefully address the above questions.

What sparked your interest in this subject?

Growing up, my family were very spread out, and I didn’t have a strong sense of connection to the older generations. We were tucked away in the middle of rural Ireland but my mother’s family had spanned the globe in their migration. A distance of continents, coupled with multiple language barriers, meant I felt very removed from my grandparents and their generation. When I started to examine my own gender identity, I, like many before me, felt distance and isolation from other trans people who had come before. To an academic outsider, it felt as if the threads of trans history had been set down and the link between generations had been severed. A passing comment from a relative made me wonder if there had been anyone like me in my family, and this started the process of wondering how you could ever recover something like that.


Since then, I’ve been fascinated in how trans lives are preserved – not just a dry note in an official record, but the messy, sticky subjectivity of life well-lived – in historical records, and how fiction operates in this space between.


What’s the most surprising thing your research has taught you about your subject?

As part of my research, it’s been necessary for me to immerse myself in trans history and to learn as much I can, not just about individual examples of trans people but also about the developing field of trans historical study. I’ve relied on the brilliant scholarship of a new generation of historians and academics who are seeking out and carefully reading sources that challenge expected notions of transgender life in the past.


One of the most heartening things I’ve discovered is a multitude of sources and examples, across time periods and geographic regions, that provide evidence of trans people forming and living in community, both with other trans people and as part of wider communities. It made me realise that I had an expectation that any trans and gender non-conforming individuals would have lived very isolated lives, but this is certainly not the case!


What’s the most surprising thing your research has taught you about yourself?

That I make unexpected connections between subjects and that’s a good thing! Ultimately, my project is about how generations of trans people connect across time and space without the traditional methods people might usually rely on, such as record-keeping, ephemera, generational links, storytelling, and so this has proved to be quite useful.


If you were your own supervisor, what advice would you give yourself?

That I don’t have to do four PhDs (Creative Writing, History, Gender Studies, English Literature) in order to make this the best possible project, I can focus on what’s relevant to me.


Which researcher would you particularly like to spotlight?

I’d love to spotlight Isobel Harvey, a member of my cohort, who is based at the University of Glasgow and working on her thesis, ‘A Cultural and Natural History of Scottish Peatlands’. We had some fascinating conversations earlier this year about how bogs experience temporality in a non-linear fashion and I can’t wait to hear more about how her project is developing.

SGSAH; SGSAH ResearchCONNECT WITH SASHA (they/them)

Email: Sasha de Buyl